Do you think that’s a problem with this game? It’s an awkward topic, since D&D is a collaborative game and not a competitive one, but the online format does leave some opportunities for problems. Speaking of idle speculation… there’s been some gossip on Reddit about suspicious dice rolls during Pirates of Leviathan. Mulligan: The fandom is welcome to engage in whatever idle speculation they so desire. So we’ve been kicking it around for two years. The new one that we just shot is a totally new thing- but I will say the concept was from the same pitch document as the original The Unsleeping City. Pirates is something we definitely wanted to do, it just ended up getting moved up in the schedule. Mulligan: No, it’s a fully other original one. Mulligan: We don’t have more in production because we have a whole other side quest fully shot and recorded! Is it the one that you replaced with Pirates of Leviathan? Keeping in mind that you tend to record these in bunches, do you have any more seasons in development now?
We did an interview a while back where you said there were three seasons in various stages of development. Mulligan: I hadn’t even considered that was something we could do! I’m on such a DM hamster wheel doing as many games as I can, they don’t let me in the business meetings.
Will you be releasing any of the digital assets for people to play within the DROPOUT store? On the flip side, our amazing team of painters and sculptures and set makers- Shane, Nate, Sabrina, Maxi- we love them, and we cannot wait to get back in the dome physically and create more physical sets when it is safe and conscientious to do so. So all the things that we can do with Roll20 and only with Roll20, we did them. As Dimension 20 has always done since the first season, every time that we have a limitation (in this case COVID) we go, “Cool, what’s a way that we can turn that limitation into something innovative and exciting that we wouldn’t be able to do in another iteration of the anthology?” The digital battle maps are so incredibly fun. Rick worked with our partners Eightfold Paper who did our maps, and Kendra Wells, our portrait artist from The Unsleeping City Season 1, to design not only the character illustrations but the token art. So he is in this season, for the Perry Heads out there (of which I am Number One). The maestro himself, Rick Perry, was our art director for our battlemats. We knew we needed to move to a digital battlemat so the producers reached out to Carlos. He had moved out to LA with his wonderful wife Serena, who works for Critical Role. I knew Carlos Luna from Rivals of Waterdeep, (which is an amazing stream, check it out). The Man, the Myth, the Legend Carlos Luna (who performed in Pirates of Leviathan) was our Roll20 Supervisor and Tech Wizard for The Unsleeping City. What was making that switch like, and do you see it as a long-term switch?īrennan Lee Mulligan: Roll20 is an incredible tool and we’re so happy to be working with them. Season 2 of The Unsleeping City is the first one where we’re seeing you guys incorporate Roll20.
The Geekiary: You’ve done several socially distanced games now: FYSY, Pirates of Leviathan, the one-shots.
Roll20 rejoin as player plus#
We talked with Dungeon Master Brennan Lee Mulligan about adjusting to the new format, handling stories about recovery with humor and sensitivity- plus that Reddit gossip from Pirates of Leviathan. The Unsleeping City Season 2 is almost here! Tomorrow we rejoin some of Dimension 20‘s all-time fan-favorite characters as they work to balance the dreaming and waking worlds in New York City.
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